From the creator of HBO's The Wire , the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicideMore »
From the creator of HBO's The Wire , the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition--which includes a new introduction, an afterword, and photographs--revives this classic, riveting tale about the men who work on the dark side of the American experience.« Less
a year on the killing streets
"Includes a new afterword by the author"--Cover
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Beyond those worldly concerns, this same detective—if he knows his business—is obligated to arrive in the legal arena with a mind clouded by something other than transcendent visions of moral victory. In his heart of hearts, a veteran detective is inspired not by the glories of the courthouse, but by Rule Number Nine in the lexicon, to wit: 9A. To a jury, any doubt is reasonable. 9B. The better the case, the worse the jury. And, in addition to rules 9A and 9B: 9C. A good man is hard to find, but twelve of them, gathered together in one place, is a miracle.
“You shoot a guy, hey,” the sergeant adds with a shrug. “You shoot another guy—well, okay, this is Baltimore. You shoot three guys, it’s time to admit you have a problem.”
Only one scenario, in fact, offers less hope than a body in an alley. When a Baltimore homicide detective is called to the woods and brambles along the far western edge of the city, it can only mean that one of the city’s inhabitants has done a very bad thing and done it very, very well. For two generations, Leakin Park has been Baltimore’s favored dumping ground for those who depart this vale by bullet or blade. . . . Police department legend includes one story, apocryphal perhaps, in which a class of trainees searching one quadrant of the park for a missing person was reminded by a Southwestern District shift commander, with tongue planted in cheek, that they were looking for one body in particular: “If you go grabbing at every one you find, we’ll be here all day.”
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